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Book
1966: Memories of Our Generation
This book is a collection of nineteen feature articles by well-known contemporary scholars, researchers, and writers. They recapitulate their own experiences during the Cultural Revolution in a literary style.
When the Cultural Revolution broke out, they were all young people in their twenties. These reminiscence articles are the result of a rare collective reflection after the end of the Cultural Revolution. The authors described their own experiences during the Cultural Revolution in the articles, providing a personal perspective on history.
The chief editor of this book is the philosopher and activist Xu Youyu, a former researcher at the Institute of Philosophy, Chinese Academy of Social Sciences. Xu signed and made suggestions on Charter 08, and also is a co-founder of the New Citizens Movement. Since 2015 he has resided in New York City, where he has been a visiting scholar at the New School for Social Research.
This book was published by China Federation of Literary and Art Circles Publishing Corporation in 1998.
Film and Video
By the Sea
The family of Jia Qingyun, a farmer whose ancestors came to Guandong Province, returned to their hometown of Shandong Province with their three children due to the difficulties of life in the Northeast, and settled on the seaside of the town. However, facing the land where their ancestors had lived, they did not have land of their own. Nor did they have a household registration or a house. They can only face the sea and tenaciously start life again. Director Hu Jie records their hardships and their hopes for life.
Film and Video
Care and Love
This film records the story of Liu Xianhong, a woman from rural Xingtai, Hebei, who contracted AIDS through a blood transfusion in the hospital and decided to publicly disclose her identity and sue the hospital. After fighting in the courts, she finally received compensation. This documentary demonstrates the surging awareness of civil rights in rural China at the grassroot level through depicting the experiences of several families and the concerted efforts of patients to form “care” groups to collectively defend their civil rights. Due to public awareness, media intervention, and legal aid, the government also introduced new policies to improve the situations of patients and their families.
This film is in Chinese with both English and Chinese subtitles.
Film and Video
Chronicle of Western Liaoning, A
In 1959, in the desolate Lingyuan area in the western part of Liaoning Province, a group of intellectual rightists from the Shenyang University arrived. There, they were to labor and be reformed alongside criminal prisoners in the prison, while digging mines to build railroads. How did the Communist Party reform the intellectuals? What kind of encounters did these rightist intellectuals go through? Hu Jie's camera restores this history.
Film and Video
Cultural Revolution Propaganda Posters
Through a large number of Cultural Revolution paintings, this film shows the official aesthetics at the time of the Cultural Revolution and the bloody violence and authoritarianism behind these paintings. The film features interviews with painters and Red Guards of the era as well as collectors and researchers in China and the UK today.
Film and Video
East Wind State Farm
In 1957, two hundred teachers, students, and cadres from Kunming, Yunnan were among the hundreds of thousands of Chinese people labeled as “Rightists” for criticizing the Chinese Communist Party. They were sent to the East Wind State Farm, located in Mi-le County in Yunnan, for 21 years of “thought reform” in the countryside. These inmates witnessed the policies of the Great Leap Forward first-hand: they took part in deforestation, agricultural, and industrial projects in the countryside, which precipitated the Great Famine. Later, during the Cultural Revolution, their camp was visited by large groups of youths “sent down” from the cities, who worked on the farm with the “Rightists.” In 1978, these “Rightists” were finally rehabilitated and allowed to leave.
This documentary examines the policies and campaigns of the Maoist era through the eyes of those who were persecuted and exiled. Director Hu Jie pieces together this long and complex story through collecting dozens of extensive interviews with inmates as well as staff who served through decades of the camp’s existence. These people’s vivid memories and personal accounts shed light on the harrowing lifestyle of not only the two hundred “Rightists” of East Wind State Farm, but also the scores of dissidents and youths who experienced the Great Leap Forward and the Cultural Revolution.
Film and Video
Faraway Mountain
This movie captures the lives of miners in small coal mines in the Qilian Mountain area of Qinghai Province. At 3600 meters above sea level, the air here is thin. Miners in the small coal kilns labor hard in a working environment without any protection, and usually get silicosis after 5-10 years of work, thus losing their ability to work. If they die in an accident, their families receive only meager compensation. This is a true record of the survival of China's grassroots laborers in the early 1990s.
Film and Video
Garden of Paradise
The year 2003 was known as the birth of the Weiquan—the rights defense–movement, which was marked by the Sun Zhigang incident in Guangzhou. At the same time, a campaign began to get justice for Huang Jing, a teacher from Hunan who was sexually assaulted and killed by her boyfriend. The campaign involved the victim’s family, netizens, feminist scholars and activists, and lasted for several years. This documentary records the process of Huang Jing’s case from filing to post-judgement, and analyzes the broader issue of sexual violence against women in China.
The films in this series are in Chinese with Chinese subtitles.
电影及视频
In Search of Lin Zhao's Soul
Hu Jie narrates the life of Lin Zhao, a Christian dissident who was condemned as a Rightist in the late 1950s and executed during the Cultural Revolution. Prior to becoming a mentcritic of the government, Lin Zhao was an ardent believer of communism. She demonstrated talent in writing and speaking as a star student in Peking University. However, after criticizing the government in 1957 during the Hundred Flowers Campaign, she was cast as anti-revolutionary. Despite the government’s attempts to silence her, Lin Zhao continued to speak and write publicly, including contributing two epic poems to Spark, an underground student-run journal. In 1960, she was arrested, and despite being released briefly in 1962, spent the rest of her life behind bars, under extremely poor living conditions. Nevertheless, she continued to write in prison, sometimes with her blood. In 1968, at the age of 36, she was executed by a firing squad.
In this documentary, Hu Jie showcases many of Lin Zhao’s surviving writings and poetry. These pieces often contain criticisms of the communist regime, as well as commentary on policy issues pertaining to labor and land reform. In making this film, Hu Jie traveled around China to interview friends and associates of Lin Zhao, who knew her as a student, activist, or prisoner. This documentary includes excerpts from interviews with them, which inform us about Lin Zhao’s personality and motivations.
This documentary has contributed to a widespread revival of interest in Lin Zhao, who had almost become a forgotten figure until the film’s appearance.
Book
Lin Zhao Anthology
The Lin Zhao Anthology contains nearly one hundred of Lin Zhao's works, including essays, poems, commentaries, and news reports written since her middle school years, as well as all of Lin Zhao's manuscripts and letters that were written in prison and later returned to her family. The collection was edited and compiled by Lin Zhao's friends Tan Chanxue (see separate entry) and Ni Jingxiong, and printed into a book on their own. Most of Lin Zhao’s manuscripts written in her blood in prison were typed on computer by Tan Chanxue. This anthology is the most important historical material used by Prof. Lian Xi of Duke University for his research and writing of the book "Blood Letters: The Untold Story of Lin Zhao, a Martyr in Mao's China."
Article
Lin Zhao: A Letter to the Editorial Board of People's Daily
This is one of the most significant essays written by Lin Zhao, the pen name of the Christian intellectual Peng Lingzhao, who was born on January 23, 1932 in Suzhou.
In 1947, she attended a Methodist girls school and was baptized. Soon after, however, she joined the underground Communist Party and began writing critiques of the Kuomintang-led government under the pen name Lin Zhao. Before the Communist takeover in 1949, Lin Zhao ran away from home to attend a journalism school run by the party. During this time she joined party campaigns to eradicate the landholding gentry that ran local society.
Lin Zhao was admitted to the Chinese Department of Peking University in 1954. It was there that she broke with Communism and gradually rediscovered her Christian faith. She was classified as a rightist in 1957 for speaking up for other students. During this time, she met Zhang Chunyuan, one of the founders of the magazine "Spark," which the China Unofficial Archives also holds. She contributed two epic poems to the magazine. The magazine was shut down in 1960 and people affiliated with it were detained, including Lin.
She was released on medical parole in early 1962 due to tuberculosis, but was arrested and imprisoned again in December of the same year. She was detained in Shanghai No. 1 Detention Center and Tilanqiao Prison. When she was denied a pen and paper, she sometimes used a sharpened straw or chopstick to prick her finger and write in blood.
While in prison, she wrote a large number of texts, including the 140,000-word essay to <i>People’s Daily</i> that we feature here. This essay is the fullest expression of Lin’s political beliefs. She wrote it in 1965, dating it July 14 because it was the date of the storming of the Bastille in the French Revolution. It took Lin five months to finish the letter, which ran to 137 pages. She wrote the essay in ink, but stamped it repeatedly with a seal bearing the character “zhao” that she inked in her own blood.
The letter has not (yet) been translated into English so a few salient points are worth mentioning.
As Lin’s biographer, the Duke University professor Lian Xi wrote in his biography of Lin (<i>Blood Letters: The Untold Story of Lin Zhao, a Martyr in Mao’s China</i>, Basic Books, 2018):
“Lin Zhao challenged the theory of a continuous ‘class struggle,’ which the Communists saw as intrinsic to human history and from which there was no escape. Since the 1920s, the CCP had looked upon this theory as an immutable truth and had used it to justify the so-called dictatorship of the proletariat after 1949….”
Lin Zhao scoffed at this. ‘I do not ever believe that, in such a vast living space that God has prepared for us, there is any need for humanity to engage in a life-and-death struggle!’ The CCP dictatorship was but a modern form of ‘tyranny and slavery,’ she wrote in her letter to the party’s propagandists.
“'As long as there are people who are still enslaved, not only are the enslaved not free, those who enslave others are likewise not free!,' she wrote. Those seeking to end Communist rule in China must likewise not ‘debase the goal of our struggle into a desire to become a different kind of slave owner.' ‘The lofty overall goal of our battle dictates that we cannot simply set our eyes on political power—the goal must not and cannot be a simple transfer of political power!’"
“The end was ‘political democratization… to make sure that there will never be another emperor in China!"
Professor Lian continues: “Lin Zhao wrestled with the moral question of whether violence was a justified means to that end. Her Christian faith had hardened her for the fight. At the same time, it also tempered her opposition. She acknowledged the occasional ‘sparks of humanity’ even in those who were at the ‘most savage center’ of Chinese communism. As strenuously as she argued against her imprisonment, against Mao’s dictatorship, and for a free society, she was unable to sanction violence in that struggle. ‘As a Christian, one devoted to freedom and fighting under the Cross, I believe that killing Communists is not the best way to oppose or eliminate communism.’ She admitted that, had she not ‘embraced a bit of Christ’s spirit,’ she would have had every reason to pledge ‘bloody revenge against the Chinese Communist Party.’”
The same year that the letter was finished, Lin Zhao was sentenced to 20 years for counterrevolutionary crimes. On April 29, 1968, the sentence was changed to death and she was executed on the same day. She was 36 years old.
Film and Video
Matchmaker, The
The tradition of matchmaking is still prevalent in northern rural areas today. This film records the story of Yang Xiuting, a matchmaker living in Guan County, Shandong Province. It describes how, due to economic reforms, rural people went to cities to find work. Subsequently, young people began to choose their own spouses. Thus, the ancient profession of matchmaker not only faces challenges, but also encounters new problems.
Film and Video
Mountain Songs from the Plains
Luo Xiaojia, a young Yunnan Yi girl was trafficked to the plains of Shandong at the age of 17 and forced to marry a young farmer in the area. The film documents her family life in the unfamiliar Shandong countryside and her longing for home. In her tenth year in Shandong, she finally fights for the opportunity to return home. After a 4,000-kilometer journey, she returns to her hometown of Yunnan and sees her mother, whom she misses day and night. However, she struggles with conflicting emotions, and returns to Shandong with a mountain song that her mother sings for her. This movie reflects the sad fate of trafficked women in China and the social psychology that follows these tragedies.
Film and Video
My Mother Wang Peiying
On January 27, 1970, Wang Peiying, a cleaner at a kindergarten in Beijing, was sentenced for counter-revolutionary crimes at a 100,000-person public trial held at the Workers' Stadium in Beijing. She was then taken to the execution ground along with a dozen other political prisoners to be executed by firing squad. Wang Peiying was strangled to death in the torture wagon because she preferred to die rather than give in and shout slogans. Forty years later, her daughter, Kexin, began to search for her mother's story. Through her mother's coworkers, friends in distress, and the task force, she gradually discovers her mother's experience as an active counterrevolutionary. In order to protect her conscience, Wang Peiying chose to stand up for her dignity and freedom to tell the truth, and willingly endured brutal torture. The documentary reflects the brutality of the Cultural Revolution and the destruction of humanity.
Book
Rebellion in All Its Shapes and Colors --The Formation and Evolution of the Spiritual Qualities of the Red Guards
This book seeks to reveal the characteristics of the Red Guard movement through the study of the Red Guard's spiritual qualities, such as the mode of action of the rebellion, the formation of factions and regional differences, as well as the types of Red Guard ideology and the trend of change before and after the Cultural Revolution, etc. The author is a peer of the Red Guard and has accumulated first-hand information on the subject through extensive interviews and documentary research. The author of this book, Xu Youyu, is a peer of the Red Guards, and has accumulated first-hand information about the research through a large number of interviews and documentary research. At present, there are very few studies that analyze the formation of the Red Guards' mentality based on oral data and case studies. Therefore, this book is of great reference value to researchers in this field. This book was published by the Chinese University of Hong Kong Press in 1999.
Film and Video
Red Art
This documentary interviews painters, Red Guards, as well as current collectors and researchers in China and the United Kingdom. It presents the emergence, spread, and impact of the propaganda posters during the Cultural Revolution. The film includes interviews with Liu Chunhua, the author of Chairman Mao Goes to Anyuan, Guangzhou painter Li Xingtao, Guangzhou old Red Guard Zhou Jineng, and others. Art museum personnels, art critics, journalists, professors, and researchers in both China and the United Kingdom speak about their understanding of the art of the Cultural Revolution from various perspectives.
This film is in Chinese with both English and Chinese subtitles.
Film and Video
Songs from Maidichong
This film was shot in a village called Maidichong in the mountains of Yunnan Province. The village is inhabited by a community of Miao people who are Christians. More than 100 years ago, the British missionary, Samuel Pollard, came to this village, invented the Miao script, and brought faith, education, and medical care to the Miao people. This film tells this history and how their journey of faith was brutally suppressed during the Cultural Revolution. It also presents the challenges they face today.
Film and Video
Spark
<i>Spark</i> tells the story of a group of young intellectuals who risked their lives to voice their opinions about the Chinese Communist Party in the 1950s and 1960s. Following the Hundred Flowers Campaign of 1957, many intellectuals were branded as Rightists and banished to work and live in rural China. A group of students from Lanzhou University were among those sent to the countryside. There, they witnessed mass famine which resulted from government policies to collectivize agriculture and force industrialization in rural China. Shocked and angered by the government’s lack of response to the Great Famine, these students banded together to publish <i>Spark</i>, an underground magazine that sought to alert the Chinese population of the unfolding famine. The first issue, printed in 1960, included poems and articles analyzing the root causes of failed policies. However, as the first issue of <i>Spark</i> was mailed and the second issue was edited, many of these students, along with locals who supported the team, were arrested. Some of the key members of the publication were sentenced to life imprisonment and later executed, while others spent decades in labor camps.
In this 2014 documentary, Hu Jie uncovers the stories of the people involved in the publication of <i>Spark</i>. He conducts interviews with former members of the magazine who survived persecution, and also shows footage of the manuscripts of the magazine. A digital copy of the original manuscript of the first volume of <i>Spark</i> is also held on our website.
This film was awarded the Special Jury Prize for Chinese Documentary at the 2014 Taiwan International Documentary Film Festival and the Award of Excellence in the Asian Competition. Later, it won the Independent Spirit Award at the Beijing Independent Film Festival.
Periodicals
Spark, Issue 1
<i>Spark</i> was an underground magazine that appeared in the Tianshui area of Gansu Province in northwestern China during the 1959-1961 Great Famine. The magazine was lost for decades but in the late 1990s began to be republished electronically, becoming the basis of documentary films, essays, and books.
In 1959, the Great Famine was spreading across China. It was witnessed by a group of Lanzhou University students who had been branded as Rightists and sent down to labor in the rural area of Tianshui. They saw countless peasants dying of hunger, and witnessed cannibalism.
Led by Zhang Chunyuan, a history student at Lanzhou University, they founded <i>Spark</i> in the hope of alerting people to the unfolding disaster and analyzing its root causes. The students pooled their money to buy a mimeograph machine, carved their own wax plates, and printed the first issue. The thirty-page publication featured Lin Zhao's long poem, "A Day in Prometheus's Passion." The first issue also featured articles, such as "The Current Situation and Duty," which dissected the tragic situation of society at that time and hoped that the revolution would be initiated by the Communist Party from within.
The students planned to send the magazine to the leaders of the provinces and cities with a view to correcting their mistakes. But before the first issue of Spark was mailed and while the second issue was still being edited, on September 30, 1960, these students in Wushan and Tianshui were arrested, along with dozens of local peasants who knew and supported them. Among them: Zhang Chunyuan was sentenced to life imprisonment and later executed; Du Yinghua, deputy secretary of the Wushan County Committee of the Chinese Communist Party, was sentenced to five years' imprisonment for having interacted with the students, and later executed. Lin Zhao was detained and also executed. Other key members, such as Gu Yan, Tan Chanxue, and Xiang Chengjian, were all sentenced to long years in labor camps.
In the 1990s, Tan Chanxue devoted herself to researching historical information and figures to bring this history to life. She found in her personnel file (<i>dan'an</i>）photographs of the magazine, as well as self-confessions and other evidence used in the students' trial. Eventually, the photos were collated into PDFs, which began to circulate around China.
Editors' note: This site the original handwritten version and a PDF of all the articles from the first issue of <i>Spark</i>. We will also make available transcripts of the essays in Chinese and are searching for volunteers to translate the texts into English. Please contact us if you're interested in helping!
Film and Video
The Gulag Book
This movie records how Zhang Xianzhi went from being a soldier to a prisoner and then to an independent writer. His experience and thought process is compared with that of the Russian writer Solzhenitsyn. The title of the film is taken from the title of Zhang Xianzhi's book <i>Anecdotes from the Gulag</i>, which takes the viewer on a journey to China's Gulag Archipelago, a labor camp in Sichuan. The extreme conditions and little-known tragic history of the camp are presented. The movie is 42 minutes long and was filmed in 2012.