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Showing 9 items in the collection

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  • Theme

    • Oral and Personal Accounts (161)
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    • The First Kuomintang-Communist Civil War (1927-1937) (5)
    • The Second Kuomintang-Communist Civil War (1945-1949) (5)

9 items

Film and Video

Enemy of the State

On February 9, 2010, Tan Zuoren was tried in the Chengdu Intermediate People’s Court for the crime of inciting subversion against the state. Ai Xiaoming and her team recorded the three days before and after the verdict, the mindsets of Tan Zuoren’s friends and relatives, and how the lawyers carried out their work. This film is in Chinese with Chinese subtitles.
Film and Video

Let the Sunshine Reach the Earth

Wang Lihong is a Beijing netizen, civilian journalist, and public service volunteer. Wang was accused of “picking quarrels and provoking trouble” for supporting three netizens in Fujian. On August 12, 2011, the case was heard for the first time in the Wenyuhe Court of the People's Court of Chaoyang District, Beijing. This film includes interviews with Wang Lihong's relatives, friends, defense lawyers and netizens, and records the historical scene of onlookers in the courts. Ai Xiaoming’s film “Postcard,” also released in 2011, elaborates Wang Lihong’s activism in broader strokes, while “Let the Sunshine Reach the Earth” focuses on the process of her trial. This film is in Chinese with Chinese subtitles.
Book

Lin Zhao Anthology

The Lin Zhao Anthology contains nearly one hundred of Lin Zhao's works, including essays, poems, commentaries, and news reports written since her middle school years, as well as all of Lin Zhao's manuscripts and letters that were written in prison and later returned to her family. The collection was edited and compiled by Lin Zhao's friends Tan Chanxue (see separate entry) and Ni Jingxiong, and printed into a book on their own. Most of Lin Zhao’s manuscripts written in her blood in prison were typed on computer by Tan Chanxue. This anthology is the most important historical material used by Prof. Lian Xi of Duke University for his research and writing of the book "Blood Letters: The Untold Story of Lin Zhao, a Martyr in Mao's China."
Article

Lin Zhao: A Letter to the Editorial Board of People's Daily

This is one of the most significant essays written by Lin Zhao, the pen name of the Christian intellectual Peng Lingzhao, who was born on January 23, 1932 in Suzhou. In 1947, she attended a Methodist girls school and was baptized. Soon after, however, she joined the underground Communist Party and began writing critiques of the Kuomintang-led government under the pen name Lin Zhao. Before the Communist takeover in 1949, Lin Zhao ran away from home to attend a journalism school run by the party. During this time she joined party campaigns to eradicate the landholding gentry that ran local society. Lin Zhao was admitted to the Chinese Department of Peking University in 1954. It was there that she broke with Communism and gradually rediscovered her Christian faith. She was classified as a rightist in 1957 for speaking up for other students. During this time, she met Zhang Chunyuan, one of the founders of the magazine "Spark," which the China Unofficial Archives also holds. She contributed two epic poems to the magazine. The magazine was shut down in 1960 and people affiliated with it were detained, including Lin.  She was released on medical parole in early 1962 due to tuberculosis, but was arrested and imprisoned again in December of the same year. She was detained in Shanghai No. 1 Detention Center and Tilanqiao Prison. When she was denied a pen and paper, she sometimes used a sharpened straw or chopstick to prick her finger and write in blood. While in prison, she wrote a large number of texts, including the 140,000-word essay to <i>People’s Daily</i> that we feature here. This essay is the fullest expression of Lin’s political beliefs. She wrote it in 1965, dating it July 14 because it was the date of the storming of the Bastille in the French Revolution. It took Lin five months to finish the letter, which ran to 137 pages. She wrote the essay in ink, but stamped it repeatedly with a seal bearing the character “zhao” that she inked in her own blood.  The letter has not (yet) been translated into English so a few salient points are worth mentioning.  As Lin’s biographer, the Duke University professor Lian Xi wrote in his biography of Lin (<i>Blood Letters: The Untold Story of Lin Zhao, a Martyr in Mao’s China</i>, Basic Books, 2018): “Lin Zhao challenged the theory of a continuous ‘class struggle,’ which the Communists saw as intrinsic to human history and from which there was no escape. Since the 1920s, the CCP had looked upon this theory as an immutable truth and had used it to justify the so-called dictatorship of the proletariat after 1949….” Lin Zhao scoffed at this. ‘I do not ever believe that, in such a vast living space that God has prepared for us, there is any need for humanity to engage in a life-and-death struggle!’  The CCP dictatorship was but a modern form of ‘tyranny and slavery,’ she wrote in her letter to the party’s propagandists.  “'As long as there are people who are still enslaved, not only are the enslaved not free, those who enslave others are likewise not free!,' she wrote. Those seeking to end Communist rule in China must likewise not ‘debase the goal of our struggle into a desire to become a different kind of slave owner.' ‘The lofty overall goal of our battle dictates that we cannot simply set our eyes on political power—the goal must not and cannot be a simple transfer of political power!’" “The end was ‘political democratization… to make sure that there will never be another emperor in China!" Professor Lian continues: “Lin Zhao wrestled with the moral question of whether violence was a justified means to that end. Her Christian faith had hardened her for the fight. At the same time, it also tempered her opposition. She acknowledged the occasional ‘sparks of humanity’ even in those who were at the ‘most savage center’ of Chinese communism. As strenuously as she argued against her imprisonment, against Mao’s dictatorship, and for a free society, she was unable to sanction violence in that struggle. ‘As a Christian, one devoted to freedom and fighting under the Cross, I believe that killing Communists is not the best way to oppose or eliminate communism.’ She admitted that, had she not ‘embraced a bit of Christ’s spirit,’ she would have had every reason to pledge ‘bloody revenge against the Chinese Communist Party.’” The same year that the letter was finished, Lin Zhao was sentenced to 20 years for counterrevolutionary crimes. On April 29, 1968, the sentence was changed to death and she was executed on the same day. She was 36 years old.
Film and Video

Postcard

After retiring from her job as a cadre, Wang Lihong fulfilled what she saw as her civic responsibility to become more active in women’s rights in China, especially the protection of their legal rights. In 2009-2010, she became involved in the “Fujian Netizen Case,” which resulted in the arrest of three human rights activists, who all sought to investigate the death of a 25-year-old women believed to have been murdered in a gang rape by men associated with the local police. Wang Lihong wrote letters to the General Secretary of the Fujian Provincial Committee of the Communist Party of China every day for nine consecutive days, calling on the authorities to let them go home for the New Year. For this reason, she was criminally detained by the authorities in March 2011 on suspicion of "picking quarrels and provoking trouble." The case was heard by the Beijing, Chaoyang District People's Court on August 12; nearly a month later, on September 9, the court issued a guilty verdict and sentenced Wang Lihong to nine months in prison. The film documents her case, and raises questions about the accountability of the local government and police. Another one of Ai Xiaoming’s films, “Let the Sunshine Reach the Earth,” documents Wang Lihong’s trial process in more detail. This film is in Chinese with Chinese subtitles.
Periodicals

Spark, Issue 1

<i>Spark</i> was an underground magazine that appeared in the Tianshui area of Gansu Province in northwestern China during the 1959-1961 Great Famine. The magazine was lost for decades but in the late 1990s began to be republished electronically, becoming the basis of documentary films, essays, and books. In 1959, the Great Famine was spreading across China. It was witnessed by a group of Lanzhou University students who had been branded as Rightists and sent down to labor in the rural area of Tianshui. They saw countless peasants dying of hunger, and witnessed cannibalism. Led by Zhang Chunyuan, a history student at Lanzhou University, they founded <i>Spark</i> in the hope of alerting people to the unfolding disaster and analyzing its root causes. The students pooled their money to buy a mimeograph machine, carved their own wax plates, and printed the first issue. The thirty-page publication featured Lin Zhao's long poem, "A Day in Prometheus's Passion." The first issue also featured articles, such as "The Current Situation and Duty," which dissected the tragic situation of society at that time and hoped that the revolution would be initiated by the Communist Party from within. The students planned to send the magazine to the leaders of the provinces and cities with a view to correcting their mistakes. But before the first issue of Spark was mailed and while the second issue was still being edited, on September 30, 1960, these students in Wushan and Tianshui were arrested, along with dozens of local peasants who knew and supported them. Among them: Zhang Chunyuan was sentenced to life imprisonment and later executed; Du Yinghua, deputy secretary of the Wushan County Committee of the Chinese Communist Party, was sentenced to five years' imprisonment for having interacted with the students, and later executed. Lin Zhao was detained and also executed. Other key members, such as Gu Yan, Tan Chanxue, and Xiang Chengjian, were all sentenced to long years in labor camps. In the 1990s, Tan Chanxue devoted herself to researching historical information and figures to bring this history to life. She found in her personnel file (<i>dan'an</i>)photographs of the magazine, as well as self-confessions and other evidence used in the students' trial. Eventually, the photos were collated into PDFs, which began to circulate around China. Editors' note: This site the original handwritten version and a PDF of all the articles from the first issue of <i>Spark</i>. We will also make available transcripts of the essays in Chinese and are searching for volunteers to translate the texts into English. Please contact us if you're interested in helping!
Film and Video

Taishi Village

In the fall of 2005, residents of Taishi Village became increasingly frustrated and angered by the sale of land by village officials; hundreds of villagers signed a petition calling for the removal of the village chief. The villagers occupied the village committee’s financial office and expressed their demands through sit-ins and other forms of protests. The government dispatched the police to arrest village activists, but the villagers insisted on starting a formal recall process. The government finally sent a team to the village to verify the signatures for the petition.  <i>The Taishi Village</i> recall incident generated attention from Chinese and foreign media, and caused uneasiness among local government officials. On September 12, 2005,  police arrested dozens of villagers who were participating in a sit-in in the village committee room. Despite the pressure, villagers elected a committee to remove the village committee director. The government then dispatched more men to exert pressure, forcing elected members to withdraw one by one. Hired patrol teams eventually drove lawyers and reporters out of the village. This documentary records the protest scenes and tragic ending of Taishi village’s movement for autonomy, and presents the surging rights consciousness in rural areas in Guangdong. This incident demonstrates villagers’ ability to exercise their right to vote and the government’s inertial approach to grassroots democracy movements.  This documentary is in Chinese with Chinese subtitles.
Film and Video

Three Days in Wukan

Wukan is a village in Luwei City, under the jurisdiction of Shanwei City, Guangdong Province. From 2011 to 2016, Wukan villagers have continued to fight to protect their land and fight for villagers' rights. Facing strong pressure from the government, some even paid with their lives. In the process, the villagers had elected their own villagers' committee by one person, one vote to practice their democratic rights. Although the protests were eventually suppressed, the impact was far-reaching. Ai Xiaoming rushed to the scene at the beginning of the Wukan incident and left this precious record.
Film and Video

Why Are Flowers So Red

This film follows the stories of environmental activist Tan Zuoren and artist Ai Weiwei. In July 2009, Tan Zuoren was charged with the crime of “Inciting subversion of state power,” and his trial was held in Chengdu, Sichuan Province. Ai Weiwei was invited by Tan’s lawyer to testify in court, but the night before the trial, he was assaulted by the police and detained in a hotel. To everyone’s surprise, Ai turned on the tape recorder before the police entered his residence and managed to record the incident. Later, Ai and his colleagues released a documentary about this incident, titled “Disturbing the Peace” (or “Laoma Tihua”). This film interviews the people behind the scenes of “Disturbing the Peace,” including the director, photographers, editors, and audiences of the film, who discuss the relationship between citizens and government authority. This series of films are in Chinese with Chinese subtitles.
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