He Jiadong is a Chinese publisher. He joined the Chinese Communist Party at an early age. After 1949, he founded the Workers' Publishing House, one of the propaganda mouthpieces of the CCP. In 1957, he was designated as a rightist and later labeled as an anti-Party element. In 1965, Kang Sheng criticized him. He was sent down to Chengwu County in Shandong Province, where he was put under local control for 14 years. During the Cultural Revolution, he was taken back to Beijing and criticized, which affected his family and led to the unnatural death of his mother and two sons. In 1979, after the rightist was corrected and completely rehabilitated, he became the executive vice-president and deputy editor-in-chief of the Workers' Publishing House; in 1983, he founded the monthly <i>Rensheng (Life)</i>. In 1984, he founded <i>Kaituo (Pioneering)</i> magazine. He was investigated for publishing Liu Binyan's <i>The Second Kind of Loyalty</i>, and resigned from his post in 1985. The above weekly newspapers, bimonthly magazines and websites were all suspended and closed by the authorities. He has written a large number of articles exploring China's development path from the end of authoritarianism to constitutional democracy. He himself had a 60-year career as a "red publisher" but never had the freedom to publish. Even his own collection of essays was never published. Until the end of his life, he never saw a printed volume of his essays—the printed books were seized and confiscated by the Chinese authorities.
The book can be purchased <a href="https://www.fellowspress.com/shop1/p/-4"> link</a>.
Lin Zhao, formerly known as Peng Lingzhao, a native of Suzhou, was admitted to the journalism department of Peking University in 1954, but was classified as a Rightist in 1957. She was arrested and imprisoned in October 1960 because of her involvement with the underground magazine <i>Spark</i>. In 1965, Lin Zhao was sentenced to 20 years' imprisonment for "counter-revolutionary crimes." On April 29, 1968, she was sentenced to death and executed on the same day at the age of 36. This book is a collection of more than sixty articles written in memory of Lin Zhao.
This movie records how Zhang Xianzhi went from being a soldier to a prisoner and then to an independent writer. His experience and thought process is compared with that of the Russian writer Solzhenitsyn. The title of the film is taken from the title of Zhang Xianzhi's book <i>Anecdotes from the Gulag</i>, which takes the viewer on a journey to China's Gulag Archipelago, a labor camp in Sichuan. The extreme conditions and little-known tragic history of the camp are presented. The movie is 42 minutes long and was filmed in 2012.
Compiled by the Sichuan writer Xiao Shu (b. 1962), this book offers a variety of pro-democracy statements released by the Chinese Communist Party media, including short commentaries, speeches, editorials, and documents from <i>Xinhua Daily, Jiefang Daily, Party History Bulletin</i>, and <i>People's Daily</i> from 1941 to 1946. The essays criticize the Kuomintang government for running a "one-party dictatorship" and promised freedom, democracy and human rights.
The book was published by Shantou University Press in 1999. <a href="https://archive.ph/20220329191611/https://www.rfi.fr/tw/%E4%B8%AD%E5%9C%8B/20130817-%E9%A6%99%E6%B8%AF%E5%A4%A7%E5%AD%B8%E5%86%8D%E7%89%88%E3%80%8A%E6%AD%B7%E5%8F%B2%E7%9A%84%E5%85%88%E8%81%B2%E3%80%8B">According to Xiao Shu</a>, the book was heavily criticized by the then-head of the Propaganda Department, Ding Guangen. The publishing house was temporarily suspended, and copies of the book were destroyed. It was republished in Hong Kong by the Bosi Publishing Group in 2002, and reprinted by the Journalism and Media Studies Center of the University of Hong Kong in 2013.
On August 5, 1966, Bian Zhongyun, a 50-year-old vice principal of the Girls High School affiliated with Beijing Normal University, was beaten to death. The murder was by some of her students, a group of female Red Guards from the school. Bian was the first educator to be killed in Beijing during the Cultural Revolution. The night Bian was killed, Deng Xiaoping's two daughters, Deng Nan and Deng Rong, found Bian's husband and told him that they could only say that Bian died of high blood pressure due to illness, but not that Bian was killed. In the end, no one was criminally prosecuted.
This film is widely regarded as one of Hu Jie's most famous for its portrayal of Bian's husband, Wang Jingyao, and his efforts to document his wife's murder.
Follow director Hu Jie on his <a href="https://www.youtube.com/@jiehu6613">YouTube channel</a>.
Wukan is a village in Luwei City, under the jurisdiction of Shanwei City, Guangdong Province. From 2011 to 2016, Wukan villagers have continued to fight to protect their land and fight for villagers' rights. Facing strong pressure from the government, some even paid with their lives. In the process, the villagers had elected their own villagers' committee by one person, one vote to practice their democratic rights. Although the protests were eventually suppressed, the impact was far-reaching. Ai Xiaoming rushed to the scene at the beginning of the Wukan incident and left this precious record.
Gao Hua was a renowned Chinese historian who died of liver cancer in Nanjing in 2011 at the age of 57. During his lifetime, Prof. Gao Hua focused on modern Chinese history. He was an expert in the history of the CCP and Mao Zedong. Several of his books were published overseas, and his book “The Revolutionary Years” was the only one published on the mainland. His masterpiece, “How the Red Sun Rises - The Ins and Outs of the Yan'an Rectification Movement”, was considered a classic work on CCP history when it was published in Hong Kong, but it soon became a banned book. Through this documentary, director Hu Jie records Gao Hua's voice and laughter during his lifetime, expressing the deep feelings of people mourning and commemorating Gao Hua.
*What Else Did Zhao Ziyang Say - Du zheng's Diary* was published simultaneously in Hong Kong and Taiwan on January 17, 2010 (Hong Kong Tiandi Book Co., Ltd. and Taiwan Printing Literature and Life Magazine Publishing Co). The book is the first to publicize more than 30 unpublished conversations in Zhao Ziyang's recorded oral transcripts, covering a number of major issues. The book is illustrated with a selection of more than 40 rare photographs taken by the author. The book is divided into three parts: upper, middle and lower. It records Zhao Ziyang's exhaustive expressions on topics such as anti-corruption, the nascent bureaucratic capitalist class, federalism, punishment by words, media management, political system reform, and the new leftist trend of thinking.
This is an important article in Li Shenzhi's *Collected Writings*, which analyzes in detail why Mao Zedong wanted to "oppose the right," and how he launched the "anti-right" campaign.
This film follows the stories of environmental activist Tan Zuoren and artist Ai Weiwei. In July 2009, Tan Zuoren was charged with the crime of “Inciting subversion of state power,” and his trial was held in Chengdu, Sichuan Province. Ai Weiwei was invited by Tan’s lawyer to testify in court, but the night before the trial, he was assaulted by the police and detained in a hotel. To everyone’s surprise, Ai turned on the tape recorder before the police entered his residence and managed to record the incident. Later, Ai and his colleagues released a documentary about this incident, titled “Disturbing the Peace” (or “Laoma Tihua”).
This film interviews the people behind the scenes of “Disturbing the Peace,” including the director, photographers, editors, and audiences of the film, who discuss the relationship between citizens and government authority.
This series of films are in Chinese with Chinese subtitles.
Chinese human rights activist Dr. Xu Zhiyong, twice imprisoned for his longstanding advocacy of civil society in China, was sentenced to 14 years in prison by the Chinese government in April 2023. The documentary by independent director Lao Hu Miao was filmed over a four-year period, beginning with the seizure of the Public League Legal Research Center, which Xu Zhiyong helped found in 2009, and ending with Xu's first prison sentence in 2014.
The revised edition of this book was published by *Open Magazine* in Hong Kong in 2007. The first edition was published in 1991 and was revised and reprinted twice, in 1993 and 1995. The book collects a large amount of information about the anti-rightist movement, including survey interviews with victims of the anti-rightist movement and their relatives and friends. It is a complete record of the anti-rightist movement, which comprehensively analyzes and discusses the whole process of the anti-rightist movement, as well as its ins and outs, causes and consequences. Regarding the number of "rightists," the statistics of the CCP authorities had been limited to 550,000 people. According to Ding Lyric's analysis, there were about 1.2 million people who were labeled as "rightists" in the Anti-Rightist Movement.
In March 1989, the book Yangtze Yangtze was published by the Guizhou People's Publishing House just as the Tiananmen student protests were about to begin in Beijing. The book fed into this intellectual ferment, challenging the technocratic reasons for the Three Gorges Dam, which eventually would dam the Yangtze River in the name of flood control and electrical power generation.
The book was edited by the journalist Dai Qing, the daughter of a well-known Communist Party activist and leader. The book challenged the project's decision-making process, with a broad array of scientists, journalists, and intellectuals arguing that it was not democratic and did not take into account all viewpoints. It was widely read in China and translated into foreign languages.
After the Tiananmen protests were violently suppressed, Dai Qing was arrested and imprisoned for ten months in Qincheng Prison as an organizer of the uprising. Yangtze Yangtze was criticized as “promoting bourgeois liberalization, opposing the Four Fundamental Principles (of party control), and creating public opinion for turmoil and riots.” The book was taken off the shelves and destroyed, with some copies burned. It became the first banned book resulting from the decision-making process of the Three Gorges Project.
The book is banned in China. The English-language edition can be read online at Probe International: https://journal.probeinternational.org/three-gorges-probe/yangtze-yangtze/.
On New Year's Day 2018, Beihang University graduate Luo Xixi took the lead in breaking China's silence on the issue of sexual harassment when she publicly reported on social media that Beihang professor Chen Xiaowu had sexually harassed her. This was the first major event in China’s #Metoo movement, which has since spread from colleges and universities to other fields. #Metoo provoked an unprecedented discussion in China, and the issues of feminism and sexual harassment attracted a rare and widespread attention, with a variety of complaints, comments, studies, and advocacy articles springing up all over the internet.
<i>#MeToo in China Archives 2018.1-2019.7</i> is a compilation of sexual harassment-related articles written between January 2018 and July 2019. This archive is massive, totaling more than 2,500 pages, and is divided into three main volumes: “#Metoo in Higher Education”, “#Metoo in other fields”, and “#Metoo discussions’. Volume I and Volume II consist of individual #Metoo cases, arranged in chronological order. Articles in volume 3 can be broadly categorized into general reviews, investigative reports, personal stories, advocacy and activism, tools and resources,etc. During the #Metoo movement, many liberal public intellectuals questioned the movement, likening it to big-character posters during the Hundred Flowers campaign, and arguing that it might lead to the proliferation of wrongful convictions. It triggered heated debates, and this archive also contains a number of related articles.
The process of compiling this archive itself became an act of resistance, given the severe repression on freedom of expression and social movements. The editorial team faced tremendous challenges in collecting articles that had been deleted or published as images to bypass online censorship. It spent a great deal of time and personnel piecing together scraps of information and transcribing words in images. Reading traumatic personal stories - including those about the hardships in seeking remedies - caused psychological trauma for the editors themselves.
Nevertheless, #Metoo has also a process of collective healing, in which women with shared experiences saw each other, realized the structural problems behind sexual violence, and gained the strength to move on and push for change. Finally, during the compilation process, the editorial team also benefited from archiving efforts made by other websites and individuals, demonstrating that the rescue and preservation of people’s history is a collective and collaborative task.
This archive is published on https://chinesefeminism.org/.
Since 2012, a group known as the “Young Feminist Activists”, has emerged in China. They often use performance art in public to promote gender equality issues; they question injustice, and engage in policy advocacy to advance women’s rights. They make use of social media and the internet to provoke public debate, build public support, and mount pressure for social and self-transformation in China. Their direct actions created new space for activism in China's tightening political environment.
This article provides a detailed overview of the actions initiated by the young feminist activists between 2012 and 2019. These actions cover a wide range of gender issues, including but not limited to sexual assault/harassment, gender-based violence, gender equality in employment and schooling, gender stigma and stereotyping, marriage autonomy, and lesbian rights and interests. These actions have not only raised the public's awareness of gender equality, but also promoted the introduction of gender equality legislation and policies.
A turning point came In 2015 when five young feminist activists were arrested and detained for 37 days for planning to hold an anti-sexual harassment campaign on March 8, Interantional Women's Day. Since then, young feminist activists have almost completely lost their space on the streets. However, as can be seen from this article, feminist activism did not disappear, but sustained and continued in a variety of ways, including the creative use of social media and leveraging transnational solidarity and action.
In the article, the author says, “Young feminist activists should not be forgotten by the public, especially in an environment where censorship has intensified in the past years, civil society has nearly collapsed, and it is extremely difficult for people to speak out. While there is a seeming increase in discussion of feminism in domestic social media, it has been severely depoliticized, feminist activists are marginalized and stigmatized, and their voices silenced. Therefore, it is particularly important to tell the stories of young feminist activists and popularize knowledge about the domestic feminist movement. It is important to let more people see the spirit and achievements of the new generation of Chinese feminists, and understand the important gender issues they have promoted.”
The article is accompanied by numerous images, videos and links to other resources for further reading.
In China, individuals can complain to higher authorities about corrupt government processes or officials through the petition system. The form of extrajudicial action, also known as "Letters and Visits" (from the Chinese xinfang and shangfang), dates back to the imperial era. If people believe that a judicial case was concluded not in accordance with law or that local government officials illegally violated his rights, they can bring it to authorities in a more elevated level of government for hearing, re-decide it and punish the lower level authorities. Every level and office in the Chinese government has a bureau of “Letters and Visits.” What sets China’s petitioning system apart is that it is a formal procedure—and as Zhao Liang's documentary shows, the system is largely a failure.
A residential area near Beijing South Railway Station was once home to tens of thousands of residents from all over the country. Known as “Petition Village,” its bungalows and shacks were demolished by authorities several times, but many petitioners still clung to the land in search of a clear future. _Beijing Petition Village_ portrays the village in the midst of this upheaval, focusing on the thousands of civilians who travel from the provinces to lodge their complaints in person with the highest petitioning body, the State Bureau of Letters and Visits Calls in the province, only to repeatedly get the brush-off by state officials. Ultimately, in 2007, Petition Village was demolished for good.
The film went on to win the Halekulani Golden Orchid Award for Best Documentary Film at the 29th Hawaii International Film Festival, and a Humanitarian Award for Documentaries at the 34th Hong Kong Film Awards.
On 23 January 2020, the Chinese government imposed a lockdown in Wuhan. On February 1, Zhang Zhan took a train from Shanghai to Wuhan. From then until her arrest by the Shanghai police on May 14, Zhang Zhan continued to document the situation in Wuhan on video at the frontline of the pandemic. On February 7, she launched a YouTube channel under her real name and released her first video, “Claiming the Right to Freedom of Expression,” in memory of Dr. Li Wenliang and in solidarity with citizen journalists Chen Qiusi and Fang Bin, who had been taken away for reporting on COVID-19. She said in the video: “If Chinese citizens still do not have the right to freedom of expression,then we are all Li Wenliang." On the same day, Zhang Zhan received a phone call from Shanghai's state security agency threatening to quarantine her if she continued to speak out online, but she did not give in. By the time she was arrested, Zhang Zhan had posted 122 videos on <a href=”https://www.youtube.com/@%E5%BC%A0%E5%B1%95-y3p/featured”>her YouTube channel</a>. In her videos, she traveled around Wuhan at the height of COVID-19, documenting empty streets, the roar of funeral home incinerators late at night, the desperation of patients with no place to turn for medical care, the arbitrary deprivation of residents’ freedom of movement, and the chaotic and hypocritical nature of government policies. These videos show the world the reality of Wuhan in the early days of the outbreak, making thema precious historical record.
“On Freedom of Speech” is a treatise by Hu Ping. It was first published in 1979. A revised version was published in 1980, when Hu ran for local elections at Peking University. The treatise was later published in Hong Kong in 1981 and again in a Chinese journal in 1986. Multiple publishing houses in China made plans to distribute the treatise in book form, but China’s anti-liberalization campaign prevented the books from publishing.
“On Freedom of Speech” explains the significance of freedom of speech, refutes misunderstandings and misinterpretations of freedom of speech, and proposes ways to achieve freedom of speech in China.
This document, provided by the author, also includes the content of the symposium held after the publication of “On Freedom of Speech” in 1986, as well as the preface written by the author in 2009 for the Japanese translation of this treatise.