In March 1989, the book Yangtze Yangtze was published by the Guizhou People's Publishing House just as the Tiananmen student protests were about to begin in Beijing. The book fed into this intellectual ferment, challenging the technocratic reasons for the Three Gorges Dam, which eventually would dam the Yangtze River in the name of flood control and electrical power generation.
The book was edited by the journalist Dai Qing, the daughter of a well-known Communist Party activist and leader. The book challenged the project's decision-making process, with a broad array of scientists, journalists, and intellectuals arguing that it was not democratic and did not take into account all viewpoints. It was widely read in China and translated into foreign languages.
After the Tiananmen protests were violently suppressed, Dai Qing was arrested and imprisoned for ten months in Qincheng Prison as an organizer of the uprising. Yangtze Yangtze was criticized as “promoting bourgeois liberalization, opposing the Four Fundamental Principles (of party control), and creating public opinion for turmoil and riots.” The book was taken off the shelves and destroyed, with some copies burned. It became the first banned book resulting from the decision-making process of the Three Gorges Project.
The book is banned in China. The English-language edition can be read online at Probe International: https://journal.probeinternational.org/three-gorges-probe/yangtze-yangtze/.
Since 2012, a group known as the “Young Feminist Activists”, has emerged in China. They often use performance art in public to promote gender equality issues; they question injustice, and engage in policy advocacy to advance women’s rights. They make use of social media and the internet to provoke public debate, build public support, and mount pressure for social and self-transformation in China. Their direct actions created new space for activism in China's tightening political environment.
This article provides a detailed overview of the actions initiated by the young feminist activists between 2012 and 2019. These actions cover a wide range of gender issues, including but not limited to sexual assault/harassment, gender-based violence, gender equality in employment and schooling, gender stigma and stereotyping, marriage autonomy, and lesbian rights and interests. These actions have not only raised the public's awareness of gender equality, but also promoted the introduction of gender equality legislation and policies.
A turning point came In 2015 when five young feminist activists were arrested and detained for 37 days for planning to hold an anti-sexual harassment campaign on March 8, Interantional Women's Day. Since then, young feminist activists have almost completely lost their space on the streets. However, as can be seen from this article, feminist activism did not disappear, but sustained and continued in a variety of ways, including the creative use of social media and leveraging transnational solidarity and action.
In the article, the author says, “Young feminist activists should not be forgotten by the public, especially in an environment where censorship has intensified in the past years, civil society has nearly collapsed, and it is extremely difficult for people to speak out. While there is a seeming increase in discussion of feminism in domestic social media, it has been severely depoliticized, feminist activists are marginalized and stigmatized, and their voices silenced. Therefore, it is particularly important to tell the stories of young feminist activists and popularize knowledge about the domestic feminist movement. It is important to let more people see the spirit and achievements of the new generation of Chinese feminists, and understand the important gender issues they have promoted.”
The article is accompanied by numerous images, videos and links to other resources for further reading.
On 23 January 2020, the Chinese government imposed a lockdown in Wuhan. On February 1, Zhang Zhan took a train from Shanghai to Wuhan. From then until her arrest by the Shanghai police on May 14, Zhang Zhan continued to document the situation in Wuhan on video at the frontline of the pandemic. On February 7, she launched a YouTube channel under her real name and released her first video, “Claiming the Right to Freedom of Expression,” in memory of Dr. Li Wenliang and in solidarity with citizen journalists Chen Qiusi and Fang Bin, who had been taken away for reporting on COVID-19. She said in the video: “If Chinese citizens still do not have the right to freedom of expression,then we are all Li Wenliang." On the same day, Zhang Zhan received a phone call from Shanghai's state security agency threatening to quarantine her if she continued to speak out online, but she did not give in. By the time she was arrested, Zhang Zhan had posted 122 videos on <a href=”https://www.youtube.com/@%E5%BC%A0%E5%B1%95-y3p/featured”>her YouTube channel</a>. In her videos, she traveled around Wuhan at the height of COVID-19, documenting empty streets, the roar of funeral home incinerators late at night, the desperation of patients with no place to turn for medical care, the arbitrary deprivation of residents’ freedom of movement, and the chaotic and hypocritical nature of government policies. These videos show the world the reality of Wuhan in the early days of the outbreak, making thema precious historical record.
“On Freedom of Speech” is a treatise by Hu Ping. It was first published in 1979. A revised version was published in 1980, when Hu ran for local elections at Peking University. The treatise was later published in Hong Kong in 1981 and again in a Chinese journal in 1986. Multiple publishing houses in China made plans to distribute the treatise in book form, but China’s anti-liberalization campaign prevented the books from publishing.
“On Freedom of Speech” explains the significance of freedom of speech, refutes misunderstandings and misinterpretations of freedom of speech, and proposes ways to achieve freedom of speech in China.
This document, provided by the author, also includes the content of the symposium held after the publication of “On Freedom of Speech” in 1986, as well as the preface written by the author in 2009 for the Japanese translation of this treatise.