This is the fourth issue of the “Our Stories” series published by WeChat public account “We and Equality,”, a compilation of 20 oral narratives from Chinese people who lived through the COVID-19 pandemic firsthand, and a personal reflection by the author of this issue, Qiao Yilin. The editors hope to “document the history of ordinary people, to combat the forgetting that should never have happened, and to present the real experiences, feelings, and voices of all of us–to help us remember what has happened to us.”
The interviewees in this volume are diverse, including those of different ages, educational background, ethnicities, physical and mental status, sexual orientations,marital status, and mobility. They shared their own memories of the pandemic, including facing threats to their survival due to food shortage, not being able to take anti-depression medication due to the lockdown, international students having a hard time returning to China, people with hearing impairments facing various inconveniences, and the discrimination faced by those who had recovered from COVID-19Although primarily focusing on experiences and feelings during the pandemic, many interviewees shared additional personal stories that provided useful background information for readers to understand their situation during the pandemic.
In addition to these personal narratives, “We and Equality” also published a 44-question “Women's Mental Health Questionnaire” on WeChat, asking about respondents’ experience during the pandemic, including their sense of belonging, care/housework commitments, sleep quality, emotional and mental status, feeling about quarantine, lockdown, illness or death of loved ones, and attitudes towards the government’s COVID-19 policies. The questionnaire received a total of 453 valid responses. Based on the responses, “We and Equality” has compiled a bilingual data analysis report.
”We and Equality" is a grass root project started in November 2016. Through the WeChat public account, they publish articles weekly to raise awareness and share knowledge on gender-related issues in China. They also organize in-person activities bi-weekly where people gather for in-depth discussion, and foster a community to promote gender equality.
In August 2008, after the 100-day anniversary of the Sichuan earthquake, rescue teams began to withdraw and the media stopped reporting on the casualties of school employees, teachers, and students. Chengdu environmental worker Tan Zuoren and local volunteers, however, were still searching for the cause of the collapse of school buildings within the ruins. As winter arrived, Tan Zuoren and his colleague Xie Yihui trekked through more than 80 towns and villages in 10 counties and cities, covering a total of 3,000 kilometers. Finally, before the May 12 anniversary, they issued a report of their investigation, which was the first independent inquiry report on the Sichuan earthquake’s impact on schools. At the same time, Beijing artist Ai Weiwei furthered civilian investigation and new volunteers arrived in Sichuan to search for the names of students who died. This documentary is an incomplete record of a civilian investigation and a piece of testimony submitted to the court charging Tan Zuoren with “suspected subversion of the state.”
This film is in Chinese with Chinese subtitles.
On May 12, 2008, when the Great Sichuan Earthquake struck, writer Liao Yiwu began to write "Chronicle of the Great Earthquake", which was serialized in <i>Democratic China</i> and reprinted on several Chinese websites. It had a wide impact. Liao went to Dujiangyan, Juyuan Township, Yingxiu and other earthquake-hit areas to conduct on-the-spot interviews. His travels and writings during the earthquake were reported and translated by many mainstream media.
In April 2009, Taiwan's Asian Culture Publishing published and distributed the traditional Chinese edition of <i>Earthquake Insane Asylum</i>, a pictorial and textual factual record that preserves the living conditions of the people during of the Sichuan earthquake.
As one of China's foremost feminist activists and thinkers, Ai was interviewed by the Global Feminisms Project at the University of Michigan. In this interview, Ai talks about her upbringing as well as about the current state of feminism in China and its outlook.
This documentary records the stories of the 2008 Sichuan earthquake. The narrators mainly consist of the parents of students who fell victim to the earthquake, and the film is interspersed with comments from media workers, independent scholars, internet authors, geologists, and environmental protection and legal workers. They expressed their views on the Sichuan earthquake from different perspectives.
This film is in Chinese with Chinese subtitles.
In this film, the filmmaker accompanied volunteer Xie Yihui as she visited the parents of students who died in the 2008 Sichuan earthquake to find people with knowledge of the architectural blueprint of the Beichuan Middle School. This documentary presents the rise of earthquake tourism and records the mindset of volunteers, bereaved parents, and tourists at the anniversary of the earthquake. This film is interspersed with historical film materials of Beichuan Middle School’s building samples taken by parents in 2008, as well as architect Zhu Tao’s analysis of the construction drawings and building quality. It also shows the perceptions of mothers, teachers, and photographers.
This series of films are in Chinese with Chinese subtitles.
This film follows the stories of environmental activist Tan Zuoren and artist Ai Weiwei. In July 2009, Tan Zuoren was charged with the crime of “Inciting subversion of state power,” and his trial was held in Chengdu, Sichuan Province. Ai Weiwei was invited by Tan’s lawyer to testify in court, but the night before the trial, he was assaulted by the police and detained in a hotel. To everyone’s surprise, Ai turned on the tape recorder before the police entered his residence and managed to record the incident. Later, Ai and his colleagues released a documentary about this incident, titled “Disturbing the Peace” (or “Laoma Tihua”).
This film interviews the people behind the scenes of “Disturbing the Peace,” including the director, photographers, editors, and audiences of the film, who discuss the relationship between citizens and government authority.
This series of films are in Chinese with Chinese subtitles.
In March 1989, the book Yangtze Yangtze was published by the Guizhou People's Publishing House just as the Tiananmen student protests were about to begin in Beijing. The book fed into this intellectual ferment, challenging the technocratic reasons for the Three Gorges Dam, which eventually would dam the Yangtze River in the name of flood control and electrical power generation.
The book was edited by the journalist Dai Qing, the daughter of a well-known Communist Party activist and leader. The book challenged the project's decision-making process, with a broad array of scientists, journalists, and intellectuals arguing that it was not democratic and did not take into account all viewpoints. It was widely read in China and translated into foreign languages.
After the Tiananmen protests were violently suppressed, Dai Qing was arrested and imprisoned for ten months in Qincheng Prison as an organizer of the uprising. Yangtze Yangtze was criticized as “promoting bourgeois liberalization, opposing the Four Fundamental Principles (of party control), and creating public opinion for turmoil and riots.” The book was taken off the shelves and destroyed, with some copies burned. It became the first banned book resulting from the decision-making process of the Three Gorges Project.
The book is banned in China. The English-language edition can be read online at Probe International: https://journal.probeinternational.org/three-gorges-probe/yangtze-yangtze/.
On New Year's Day 2018, Beihang University graduate Luo Xixi took the lead in breaking China's silence on the issue of sexual harassment when she publicly reported on social media that Beihang professor Chen Xiaowu had sexually harassed her. This was the first major event in China’s #Metoo movement, which has since spread from colleges and universities to other fields. #Metoo provoked an unprecedented discussion in China, and the issues of feminism and sexual harassment attracted a rare and widespread attention, with a variety of complaints, comments, studies, and advocacy articles springing up all over the internet.
<i>#MeToo in China Archives 2018.1-2019.7</i> is a compilation of sexual harassment-related articles written between January 2018 and July 2019. This archive is massive, totaling more than 2,500 pages, and is divided into three main volumes: “#Metoo in Higher Education”, “#Metoo in other fields”, and “#Metoo discussions’. Volume I and Volume II consist of individual #Metoo cases, arranged in chronological order. Articles in volume 3 can be broadly categorized into general reviews, investigative reports, personal stories, advocacy and activism, tools and resources,etc. During the #Metoo movement, many liberal public intellectuals questioned the movement, likening it to big-character posters during the Hundred Flowers campaign, and arguing that it might lead to the proliferation of wrongful convictions. It triggered heated debates, and this archive also contains a number of related articles.
The process of compiling this archive itself became an act of resistance, given the severe repression on freedom of expression and social movements. The editorial team faced tremendous challenges in collecting articles that had been deleted or published as images to bypass online censorship. It spent a great deal of time and personnel piecing together scraps of information and transcribing words in images. Reading traumatic personal stories - including those about the hardships in seeking remedies - caused psychological trauma for the editors themselves.
Nevertheless, #Metoo has also a process of collective healing, in which women with shared experiences saw each other, realized the structural problems behind sexual violence, and gained the strength to move on and push for change. Finally, during the compilation process, the editorial team also benefited from archiving efforts made by other websites and individuals, demonstrating that the rescue and preservation of people’s history is a collective and collaborative task.
This archive is published on https://chinesefeminism.org/.
Since 2012, a group known as the “Young Feminist Activists”, has emerged in China. They often use performance art in public to promote gender equality issues; they question injustice, and engage in policy advocacy to advance women’s rights. They make use of social media and the internet to provoke public debate, build public support, and mount pressure for social and self-transformation in China. Their direct actions created new space for activism in China's tightening political environment.
This article provides a detailed overview of the actions initiated by the young feminist activists between 2012 and 2019. These actions cover a wide range of gender issues, including but not limited to sexual assault/harassment, gender-based violence, gender equality in employment and schooling, gender stigma and stereotyping, marriage autonomy, and lesbian rights and interests. These actions have not only raised the public's awareness of gender equality, but also promoted the introduction of gender equality legislation and policies.
A turning point came In 2015 when five young feminist activists were arrested and detained for 37 days for planning to hold an anti-sexual harassment campaign on March 8, Interantional Women's Day. Since then, young feminist activists have almost completely lost their space on the streets. However, as can be seen from this article, feminist activism did not disappear, but sustained and continued in a variety of ways, including the creative use of social media and leveraging transnational solidarity and action.
In the article, the author says, “Young feminist activists should not be forgotten by the public, especially in an environment where censorship has intensified in the past years, civil society has nearly collapsed, and it is extremely difficult for people to speak out. While there is a seeming increase in discussion of feminism in domestic social media, it has been severely depoliticized, feminist activists are marginalized and stigmatized, and their voices silenced. Therefore, it is particularly important to tell the stories of young feminist activists and popularize knowledge about the domestic feminist movement. It is important to let more people see the spirit and achievements of the new generation of Chinese feminists, and understand the important gender issues they have promoted.”
The article is accompanied by numerous images, videos and links to other resources for further reading.