Due to poverty in rural areas in Henan Province—part of China’s Central Plains—many farmers contracted AIDS by selling their blood. This documentary dives into the lives of these AIDS patients, depicting the manner in which they cope with life, officials’ responses, and the stories of volunteers who helped the infected villagers. The filmmaker visited several villages with high incidence of AIDS, interviewing and recording people’s accounts of how the “plasma economy” arose. This documentary presents the living condition of families and individuals, especially women and children, who contracted AIDS due to blood donation and blood transfusions, and demonstrates the formation of grassroots organizations.
This film is in Chinese with both Chinese and English subtitles.
The Anti-Rightist Movement in China began in 1957 with the reorganization of intellectuals, followed by the Great Leap Forward, the People's Commune, and a series of calamities such as the Great Famine. The Hong Kong Five Sevens Society was founded in 2007 with the aim of collecting, organizing, and researching historical information about the Anti-Rightist Movement. It is headed by Wu Yisan, a writer who moved to Hong Kong from mainland China. The author of this book, Shen Yuan, who was also a Rightist at the time. He has systematically researched and organized the Anti-Rightist Movement that took place in 1957 and attempted to answer some of the unanswered questions.
On August 5, 1966, Bian Zhongyun, a 50-year-old vice principal of the Girls High School affiliated with Beijing Normal University, was beaten to death. The murder was by some of her students, a group of female Red Guards from the school. Bian was the first educator to be killed in Beijing during the Cultural Revolution. The night Bian was killed, Deng Xiaoping's two daughters, Deng Nan and Deng Rong, found Bian's husband and told him that they could only say that Bian died of high blood pressure due to illness, but not that Bian was killed. In the end, no one was criminally prosecuted.
This film is widely regarded as one of Hu Jie's most famous for its portrayal of Bian's husband, Wang Jingyao, and his efforts to document his wife's murder.
Follow director Hu Jie on his <a href="https://www.youtube.com/@jiehu6613">YouTube channel</a>.
Wukan is a village in Luwei City, under the jurisdiction of Shanwei City, Guangdong Province. From 2011 to 2016, Wukan villagers have continued to fight to protect their land and fight for villagers' rights. Facing strong pressure from the government, some even paid with their lives. In the process, the villagers had elected their own villagers' committee by one person, one vote to practice their democratic rights. Although the protests were eventually suppressed, the impact was far-reaching. Ai Xiaoming rushed to the scene at the beginning of the Wukan incident and left this precious record.
Traveling Chinese history scholar Li Jianglin began working on the Tibet issue in 2004. She has traveled to India every year in search of Tibetan refugees, visited 14 Tibetan refugee settlements in India and Nepal, contacted more than 200 exiled Tibetans from the three regions of Tibet, and personally interviewed the Dalai Lama in Dharamsala, the seat of the Tibetan government-in-exile, in 2008. In 2010, Li Jianglin completed her book <i>Lhasa 1959!</i> by drawing on interviews, information searches, and rare historical photographs provided by the Tibetan government in exile, in the hope of reconstructing the little-known history of the Dalai Lama's departure from Tibet in 1959. The book was published by Taiwan's Lianjing Publishing House in 2010 and reprinted in 2016.
Around the eighth century A.D., the founder of Tibetan Buddhism, Guru Rinpoche, prophesied, "When the iron bird flies in the sky and the iron horse runs on the earth, the Tibetans will be dispersed all over the world like ants, and the Buddha's Dharma will be spread into the land of the red people." More than 1,000 years later, in the middle of the 20th century, the Chinese Communist Party drove the "iron bird" across the sky and rode the "iron horse" across the plateau. The Tibetans courageously rose up to resist resulting in with countless deaths countless deaths. Those who survived were forced to leave their homeland and live in exile in India, drifting around the world. Thus, the prophecy came true. From a military point of view, the Tibetan war in Tibet was a victory, but it received only minimal publicity. The official version of the Party's history is either vague or evasive about the bloody massacre during the entry into Tibet, attempting to cover it up by "suppressing armed rebellion" and "purging counter-revolutionaries". More than sixty years later, this war has yet to be demystified. Li Jianglin, an independent scholar, was moved by the tragedy of the war and the plight of the Tibetans, and endeavored to restore the historical facts. Since 2004, she has devoted herself to research, visiting hundreds of Tibetan elders, searching for tens of thousands of historical materials, collecting military archives, and comparing them with the official published materials of the Communist Party of China, in order to present memories of past, little by little.
This film follows the stories of environmental activist Tan Zuoren and artist Ai Weiwei. In July 2009, Tan Zuoren was charged with the crime of “Inciting subversion of state power,” and his trial was held in Chengdu, Sichuan Province. Ai Weiwei was invited by Tan’s lawyer to testify in court, but the night before the trial, he was assaulted by the police and detained in a hotel. To everyone’s surprise, Ai turned on the tape recorder before the police entered his residence and managed to record the incident. Later, Ai and his colleagues released a documentary about this incident, titled “Disturbing the Peace” (or “Laoma Tihua”).
This film interviews the people behind the scenes of “Disturbing the Peace,” including the director, photographers, editors, and audiences of the film, who discuss the relationship between citizens and government authority.
This series of films are in Chinese with Chinese subtitles.
On New Year's Day 2018, Beihang University graduate Luo Xixi took the lead in breaking China's silence on the issue of sexual harassment when she publicly reported on social media that Beihang professor Chen Xiaowu had sexually harassed her. This was the first major event in China’s #Metoo movement, which has since spread from colleges and universities to other fields. #Metoo provoked an unprecedented discussion in China, and the issues of feminism and sexual harassment attracted a rare and widespread attention, with a variety of complaints, comments, studies, and advocacy articles springing up all over the internet.
<i>#MeToo in China Archives 2018.1-2019.7</i> is a compilation of sexual harassment-related articles written between January 2018 and July 2019. This archive is massive, totaling more than 2,500 pages, and is divided into three main volumes: “#Metoo in Higher Education”, “#Metoo in other fields”, and “#Metoo discussions’. Volume I and Volume II consist of individual #Metoo cases, arranged in chronological order. Articles in volume 3 can be broadly categorized into general reviews, investigative reports, personal stories, advocacy and activism, tools and resources,etc. During the #Metoo movement, many liberal public intellectuals questioned the movement, likening it to big-character posters during the Hundred Flowers campaign, and arguing that it might lead to the proliferation of wrongful convictions. It triggered heated debates, and this archive also contains a number of related articles.
The process of compiling this archive itself became an act of resistance, given the severe repression on freedom of expression and social movements. The editorial team faced tremendous challenges in collecting articles that had been deleted or published as images to bypass online censorship. It spent a great deal of time and personnel piecing together scraps of information and transcribing words in images. Reading traumatic personal stories - including those about the hardships in seeking remedies - caused psychological trauma for the editors themselves.
Nevertheless, #Metoo has also a process of collective healing, in which women with shared experiences saw each other, realized the structural problems behind sexual violence, and gained the strength to move on and push for change. Finally, during the compilation process, the editorial team also benefited from archiving efforts made by other websites and individuals, demonstrating that the rescue and preservation of people’s history is a collective and collaborative task.
This archive is published on https://chinesefeminism.org/.
Since 2012, a group known as the “Young Feminist Activists”, has emerged in China. They often use performance art in public to promote gender equality issues; they question injustice, and engage in policy advocacy to advance women’s rights. They make use of social media and the internet to provoke public debate, build public support, and mount pressure for social and self-transformation in China. Their direct actions created new space for activism in China's tightening political environment.
This article provides a detailed overview of the actions initiated by the young feminist activists between 2012 and 2019. These actions cover a wide range of gender issues, including but not limited to sexual assault/harassment, gender-based violence, gender equality in employment and schooling, gender stigma and stereotyping, marriage autonomy, and lesbian rights and interests. These actions have not only raised the public's awareness of gender equality, but also promoted the introduction of gender equality legislation and policies.
A turning point came In 2015 when five young feminist activists were arrested and detained for 37 days for planning to hold an anti-sexual harassment campaign on March 8, Interantional Women's Day. Since then, young feminist activists have almost completely lost their space on the streets. However, as can be seen from this article, feminist activism did not disappear, but sustained and continued in a variety of ways, including the creative use of social media and leveraging transnational solidarity and action.
In the article, the author says, “Young feminist activists should not be forgotten by the public, especially in an environment where censorship has intensified in the past years, civil society has nearly collapsed, and it is extremely difficult for people to speak out. While there is a seeming increase in discussion of feminism in domestic social media, it has been severely depoliticized, feminist activists are marginalized and stigmatized, and their voices silenced. Therefore, it is particularly important to tell the stories of young feminist activists and popularize knowledge about the domestic feminist movement. It is important to let more people see the spirit and achievements of the new generation of Chinese feminists, and understand the important gender issues they have promoted.”
The article is accompanied by numerous images, videos and links to other resources for further reading.
In China, individuals can complain to higher authorities about corrupt government processes or officials through the petition system. The form of extrajudicial action, also known as "Letters and Visits" (from the Chinese xinfang and shangfang), dates back to the imperial era. If people believe that a judicial case was concluded not in accordance with law or that local government officials illegally violated his rights, they can bring it to authorities in a more elevated level of government for hearing, re-decide it and punish the lower level authorities. Every level and office in the Chinese government has a bureau of “Letters and Visits.” What sets China’s petitioning system apart is that it is a formal procedure—and as Zhao Liang's documentary shows, the system is largely a failure.
A residential area near Beijing South Railway Station was once home to tens of thousands of residents from all over the country. Known as “Petition Village,” its bungalows and shacks were demolished by authorities several times, but many petitioners still clung to the land in search of a clear future. _Beijing Petition Village_ portrays the village in the midst of this upheaval, focusing on the thousands of civilians who travel from the provinces to lodge their complaints in person with the highest petitioning body, the State Bureau of Letters and Visits Calls in the province, only to repeatedly get the brush-off by state officials. Ultimately, in 2007, Petition Village was demolished for good.
The film went on to win the Halekulani Golden Orchid Award for Best Documentary Film at the 29th Hawaii International Film Festival, and a Humanitarian Award for Documentaries at the 34th Hong Kong Film Awards.